We've got contrapuntal lines operating in it.

它里面有对位的旋律线。

So it tends to be contrapuntal because it's using little motives from the theme.

插句是对位的因为它使用了主题中的部分动机。

Pianists like Oscar Peterson and Bill Evans have incorporated Bach's contrapuntal techniques and harmonic progressions into their improvisations, leading to a deeper, more textured sound.

像奥斯卡·彼得森和比尔·埃文斯这样的钢琴家已经将巴赫的对位法技巧与和声进行结合到他们的即兴创作中，从而产生更深沉、更有质感的声音。

But all at once it dawned on me that this was the real point, the contrapuntal theme; just this, not text, but texture; not the dream, but a topsy-turvical coincidence; not flimsy nonsense, but a web of sense.

然而有一股强烈的想法告诉着我这与现实所对立的直觉是真实的，不是确切内容，而具有着象征意义；不是梦想，而是巧合的联想；不是随意的瞎扯，而是能全身共鸣的感受。